He was one of my great teachers and a great artist. I remember his drawing class so well. Tu-thur mornings. I especially remember the all black still life and his inspirational slide shows. And making monoprints. He expanded my vision and is also one of my models for the teaching artist. His commitment to his own work was so strong and always in the room. He spoke at Leo’s memorial with his portable oxygen tank. And I got to introduce him as another one of my great teacher. He smiled.
Above The Fold
Looking at 16 years of photographs on the front page of The New York Times
Web project that explores the afterlife of images and the experience of looking at photographs as a disruptive encounter. I continually update with new images.
Dancing with the Zapatistas: Twenty Years Later co-edited with Diana Taylor; Duke University & Hemi Press
Women Mobilizing Memory, Collaborative Archives: Connective Histories, exhibition catalogue featuring Above The Fold
My essay "Photographic Interference" is included in Picturing Atrocity , edited by Geoffrey Batchen, Mick Gidley, Nancy K. Miller, and Jay Prosser.
I created the cover image for Marianne Hirsch's book The Generation of Postmemory: Writing and Visual Culture After the Holocaust.